THE EASTERN SIERRA, CALIFORNIA, by Gary Crabbe
NOTE: this exhibit appeared in December 1999. Click here to visit the current showcase.
All other exhibits: Click here to access
![]() |
|
Located in
the Ansel Adams Wilderness, Banner Peak is
reflected in 1000 Island Lake at sunrise. After a
good nights rest follwing a 10 mile hike to this
location, I woke an hour before sunrise and waited
for the best light. However, what I remember most
was being breakfast for about 10,000
mosquitos. |
![]() |
|
Lone Pine Peak and Alabama Hills A
spring snow storm lingered over the Eastern
Sierra Crest at sunrise. This made for the
beautiful pastel light with just a hint of sunlight
on the foreground rocks. |
![]() |
|
This photo
of North Peak was taken as the morning sun lit up
the east face. I especially liked how the snow
patch helped divide the two sunlit areas. Nine
Lakes Basin which sits along the Eastern Sierra
Crest is located north east of Tioga Pass, near
Yosemite. |
![]() |
|
I had been
shooting distant mountain peaks from the Alabama
Hills near Lone Pine. Just as I was packing up my
camera gear, I glanced this pattern of sunlit rock
from the corner of my eye. I took out a long
telephoto lens to compress the scene, using the
small plant to help give the image a unique
quality. |
![]() |
|
I saw this
very small cascade of water out of the corner of my
eye while driving about 50mph along one of the
Eastren Sierra's back roads. When I set this photo
up, one tripod leg was actually sticking into the
road, and just below the bottom of the frame
was an ugly metal storm drain where the water
headed under the road. |
![]() |
|
This is why
the Sierra Nevada is known as "The Range of
Light". |
![]() |
|
This photo
represented a very tough choice. I had driven all
night long from the Bay Area. When I got to this
location, the full moon was setting over the
Sierras at the exact same time I was taking this
photo. I didn't have enough time to shoot both, so
I decided on this shot since I had spent my
childhood fishing with my dad. |
![]() |
|
Since I had
previously shot this location (photo above) I
decided on my next trip to find something new.
While hiking around one of the alpine lakes, I
noticed this cascade, which I photographed just as
the morning sun was lighting up the
mountain. |
![]() |
|
The Eastern
Sierra is a great place to photograph alpenglow,
the red light at sunrise or sunset. Here I
used the shadowed foreground hills to balance the
warm light, knowing that the snow in the shadows
would turn a beautiful pastel blue. |
![]() |
|
Rush
Creek drains from the high peaks of the Eastern
Sierra near Lee Vining and flows into Mono Lake.
This photo was taken on an overcast morning
allowing the fall colors of the sagebrush to stand
out. |
|
Looking
towards Tioga Pass and the Kuna Crest, this morning
photograph has a peacefull feeling of alpine
solitude, even though it sits along the main
highway into the Yosemite high country. Still, even
early in the morning, I was quite alone, with only
the howls of nearby coyotes to keep me
company. |
|
|
A friend and
I had climbed to the top of an 11,000 ft. mountain
pass to photograph the sunset. I asked him to step
into the photo just as the best light was starting
to happen. A very talented photographer
himself, he tore himself away from his camera just
long enough for me to snap three frames. A quick
shout of "That's enough" was followed by him
running back to his camera. I couldn't blame him,
and was suprised he agreed to do it at
all. |
|
![]() |
|
I owe this
photo to my wife. We scouted this location just as
we could first see detail in the early morning
darkness. However, I didn't think the clouds would
let any sun through, so I drove to another location
about three miles away. Just as I was setting up my
tripod, my wife called my attention to a slight bit
of color on the clouds. I immediately knew the
whole sky would soon turn red, so I drove back to
my original location in a manner not recommended by
my truck's manufacturer. Well worth it, I
think. |
|
I had been
shooting along a lake near Mammoth, trying to get
another nice mountain peak reflection. As I was
hiking back to my truck, I noticed this patch of
foliage. I chose to do a tight crop, as the
sunlight was creeping down the mountain side. At
the time I took this image, the light was just
nearing the top of the frame. Had there been any
bright sun in this picture, it would have totally
overpowered the soft colors that I was trying to
capture. |
|
![]() |
|
This photo
clearly shows the steep and dramatic rise that the
Eastern Sierra makes out of the lower valleys. Here
a slightly overcast sky helped to soften the
morning light and still keep detail in the
foreground ridge. |
![]() |
|
My wife and
I were on the last night of a five day backpacking
trip when we set up camp at Waugh Lake in the Ansel
Adams Wilderness. After dinner I asked my wife to
go sit on the edge of the rocks and look out over
the lake towards the Sierra Crest near Mount Lyell.
As a side note, this evening was so clear, and lit
by a full moon, I could see our orange stuff sack
bear hung in a tree 200 yards away at
midnight. |
![]() |
|
The often
photographed tufa formations of Mono Lake are in
the process of being reclaimed by the rising waters
as efforts to save the lake from the demands of
water users in Los Angeles take effect. Here I
caught the first sunlight of morning striking a
sage which now overhangs the rising
waters. |
![]() |
|
Sierra Nevada from the White Mts. I love this
location which is on the road to the Ancient
Bristlecone forest in the White Mountains. From the
highest point in the White Mountains, looking
across the Owens Valley to 13 and 14,000 ft. peaks
of the Sierra, there is an elevation difference
almost twice as deep as the Grand
Canyon. |
![]() |
|
I like this
photo because it not only feels like a painting,
but it also seems to portray a scene exactly like
it might have been over a hundred years ago, when
areas around Bishop were first settled. |
Note: For best viewing, set your monitor to High Color or True Color (Thousands or Millions of Colors on MacOS) and 1024x768 pixels. These images have been carefully prepared with a Gamma of 2.2 using the BruceRGB color space. This should work well with high-quality Windows monitors. If you are a MacOS user, set your Adobe Gamma control panel to "Windows Default" or, at the last resort, choose the sRGB calibrated profile in the Color section of your Monitors control panel.
Copyright Notice: All photos featured in this showcase are Copyright © 1999 Laurent Martres, all rights reserved. These images are protected by United States and international copyright laws and may not be used or reproduced without permission in writing.
It was only after I began taking pictures ten years ago that I made my first trip to the Eastern Sierra. I was inspired by other photographs of this scenic wonderland, and now wanted to capture my own personal visions on film. I let my own background interests in hiking, fishing, and driving lead me on journeys of inner and outer voyages of discovery.
The Sierra Nevada, which extends north from the base of the Cascades south to the Mojave, has often been referred to as "The Range of Light". The Eastern Sierra, from Lake Tahoe to Mount Whitney, is a grand juncture where the high desert tuns upward merging into the steep granite mountainsides. In some cases, the eastern face of the Sierra can ascend almost 10,000 feet in a few miles.
One of the greatest photographic pursuits in this area is to catch alpenglow at sunrise on the jagged granite peaks. Alpenglow is specifically the very reddish colored sunlight seen just as the sun nears the horizon. If conditons are right, the mountains seem to be set on fire. Othertimes, the Sierra shows its softer side, revealing delicate alpine streams, and a rainbow of colors as autumn sets in.
I hope you enjoy this
exhibit.
I would love to hear
your comments.
Gary Crabbe,
Photographer;
Enlightened
images Photography
GARY CRABBE
Gary currently resides
in Lafayette, California, just outside San
Francisco.
Gary began taking
pictures while attending Humboldt State University,
where
he received a Bachelors
Degree in Social and Adolescent Psychology, and
a Masters Degree in
Directing, Acting, Writing, and Production for
the
Theater. His interest in
photography began to grow after taking an
elective
class in Black &
White, but he soon found his passion was the
pursuit
of color and form in
nature.
Gary started
Enlightened images Photography in 1993 to handle the sale of
his personal
photography. His
client and publication credits currently include the
National Geographic Society, New York Times, Forbes
Magazine, LL Bean, The North Face,
Subaru,
Miramar
Productions, Mirabella, Entree Magazine, Calistoga Gliders,
BrownTrout
Publishers, The
Nature Conservancy, The Carnegie Museum of Natural
History,
and pro-bono work
for the Make-A-Wish Foundation and the Int'l
Commitee
of Lawyers for
Tibet. His fine art photographic prints and murals are
included
in both private
and corporate collections, and have been exhibited in
numerous
locations
throughout the Bay Area.
Gary has also
conducted highly praised slide shows and workshops
for
groups like
R.E.I., The Sierra Club, The Photographic Society of
America,
local camera
clubs, etc.. In addition to his Stock,
Assignment,
and Fine Art
Photography, Gary offers a variety of other services,
including
Consulting,
Photo-Editing, and Writing.
In October 2000, Gary
will be leading an "On the Road" workshop for the Santa Fe
Workshops, to explore the areas around Moab,
Utah.
Material, design and coding,
Copyright 1998-2006 by Graphie International, Inc., except as noted.
All Rights Reserved.
PhotoTripUSA is a trademark
of Graphie International, Inc.